"Around the celebration in Cannes were set the boundaries of a certain style. The boundaries of this style coincided with the area held in common by two ethics (each of which had been composed of bits and pieces of other, older ethics, but each of which could be recognized by 1971 as having an identity of its own). What met in Cannes was the ethic of café society (which is the ethic of aristocracy shorn of its specific responsibilities, its specific etiquette, and its specific geography, and reduced to self-parody) and the ethic of high drag (which is the ethic of satire shorn of its politics). The boundaries of this style encompassed wit, perversity, commercial utility, and an interest in finding the cutting edge, wherever that should be."- George W.S. Trow, I-eclectic, Reminiscent, Amused, Fickle, Perverse. New Yorker profile of Ahmet Ertegun, Atlantic Records head.