Monday, April 30, 2012

Vile Bodies

Blow, cat, blow

Rod's Shake It Up has long been a gold-plated standard in Italo productions for me, but damn if the album opener Start It All Over Again doesn't deserve love, too.  Opening with a great guitar riff that's matched with some more jazzy instrumentation (that organ!), trad-disco flourishes and Philly sounding brass, it sashays into the exuberant territory of Kid Creole & The Coconuts (nee August Darnell), amounting to a deeply satisfying way to start a hidden gem of a record.  The brief xylophone lead reminds me of the lead that shows up towards the end in Robert Palmer's anxious new-wave workout Looking for Clues.  So there you go...

I was sure that I had posted Rod's Shake It Up, but I've spent a number of years suffering from the petty DJ affliction of claiming songs for one's own and hoarding them.  Sort of foolish in the age of musical abundance.  Never mind that when I DJed with Vancouver's (super-skilled, really nice) Kutcorners at Blue Dog in Montreal a while back, it was a prominent set-piece...  The song is a lot more well known than I had imagined.

After much digging, I've got a lengthy post coming up this week on Anthony Malloy, of Anthony & The Camp, who deserves far more attention for his contribution to house music than simply being the target of some sticky-fingered lifting by Tensnake. (Much love to Coma Cat, though).

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