Weekend Double Dosing

The Embassy - Some Indulgence.mp3

Sweden's The Embassy sort of passed me by. Albums in 2002 and 2005 won over Sweden, but unlike minimal design at bargain prices, sensible automobiles, and blonde pop chanteuses, they never seemed to make it over the pond.

The Embassy trade on the sort of late New Order-esque sophisto-Euro-pop production (a solid base of acoustic guitars, chimes, crystalline oohs and ahhs) that activates my musical sweet-tooth (and may bring up a bit of something in the back of the throat along with memories of Erasure and The Pet Shop Boys for some of you). Dreamy-yacht-rock may be perfectly suited for car commercials (the hidden historical aim of indie rock's progression, synthesis to thesis and antithesis), but it's done without the bad faith or second-guessing that hounds say, graduates of Evergreen College. Ambitious feel-good pop music best played on your stolen Bang & Olufsen turntable.

Band Website or Label Website

Primal Scream - Accelerator.mp3

To cleanse the palate, similar to a whiff of coffee beans, here's a song originating from a similar school (Creating A Universe Within A Studio), but arrives at different conclusions... Primal Scream, who've pretty much cemented their reputation as The Only Supergroup Worth Talking About with members like Mani (formerly of the Stone Roses), Kevin Shields, and collaborations with Two-Long Swordsmen, Kate Moss (in her pre-Doherty days) and many more, are set to release a new album in May titled Riot City Blues, which will add to the roll-call of British music's leading lights by featuring contributions from Echo & The Bunnymen's Will Sergeant, The Bad Seeds' Warren Ellis, and Alison Mosshart from The Kills.

This track is from 2000's skull-cracking XTRMNTR, which I'd argue is the most completely realized statement articulating PS' mission, encapsulating most of what was worthwhile from the various musical subcultures they toyed with in the 90s while remaining. It could do without Pills' hip-hop stylings, though.

On another note, I've got a column in the Mirror that's starting this week. No name as of yet, still sussing that out, but the focus will be on mp3s, blogs, and other aspects related to music online. Montrealers can read it next Thursday, gratuit.

Gotta Get Your Love

Clyde Alexander & Sanction - Gotta Get Your Love.mp3

A couple of years back I picked up the spectacular compilation Disco Juice, a double-LP featuring selections from Harlem's P&P Records, including Jesse Gould's Out Of Work and L.J. Waiters' Hooked On Your Line.

The first cut on side C is the one above: Gotta Get Your Love, recorded by Gary Davis in 1979, by Clyde Alexander & Sanction, Sanction (a group featuring Gary and his younger brother Wendell). A choice song in the UK's Northern Soul scene, this track is a killer slice of gritty disco that (thankfully) lacks the sheen of overproduced string sections and too chirpy back-up singers. Beyond the sizzling horn section, this track kills it for a number of other reasons - the up-in-the-mix rolling bassline, the stuttering snare break, and the chattering vocal interplay, touching off my fetish for songs that hint at a party setting (think Roxy Music) whether through champagne glasses clinking or general party sounds.

A strange aside to all of this, though it was released ostensibly as a track by (at the time) 15 year old vocalist Clyde Alexander, he barely appears on the track, his contributions lost far, far in the mix, while Rhonda Whaley's vocals dominate, the strange situation owing to a demand for exclusive contracts for performers only signed by Clyde. Quickly a choice song amongst DJs in the UK's Northern Soul scene, a second version was recorded by Gary Davis in 1982 using the same players (sans lil' Clyde, sadly) and self-released on Chocolate Star Records.

Grab The Comp Here

Disco Lazers... Ring My Bell.

Anita Ward - Ring My Bell (12 Inch Version).mp3

24 year old substitute teacher and gospel-trained singer Anita Ward scored a subsantial dancefloor burner with 1979's Ring My Bell. Originally penned as a teeny-bopper homage to telephone obsessed youngsters, and intended for 11 year old Stacy Lattisaw, it might not have been recorded by a reticient Ward were it not for Stax Records producer Frederick Knight's insistence. Hitting number one and holding for five months in the States (to say little of her impressive numbers in Britain, Canada, Europe and elsewhere), she toured heavily, before retiring back to teaching and motherhood.

Ward's soaring high-pitched vocals play off the cooing back-up singers, and the shuffle beat and disco lazers make this the sort of jubiliant pop song that often seems woefully underrepresented when journos, "Remember The 70s" VH1 shows and others look back at the "disco era." Far from the presumed homogenity of gawdy fabrics and banal club decadence, there was an inventiveness and spirit in a lot of the music missing from mainstream rock music at that time*. It's not necessarily a forgotten classic (Ward performed this at New Year's Eve in New York in 2000, there have been a whole slab of remixes floating about), but it's a choice one, on par with Clyde Alexander's Gotta Get Your Love, another one of my faves that I'll feature tomorrow.



*Yes, yes, I realize I'm pretty much preaching to the converted here, I don't know that many people who fly the rockist flag all that much, not even the Mojo Magazine tribe members, but I'm too lazy to fabricate any other intellectual/historical context to justify my affection for this song with.

IVORY TEMPLE will be filling in the blanks between soundchecks and sets and bathroom runs on Wednesday night at Club Lambi (4465 St. Laurent) as Scandinavian electro-popper Annie return to Montreal. Given that she's got a higher profile than at the time of last year's Pop Montreal festival, one would expect a little more people than the music critics and forward-thinking St. Catherine Villagers that made up the bulk of the audience at that point.

Baltimore Club-It: Fuck You Up Like A Percoset

Spank Rock - Sweet Talk.mp3

Hotly anticipating their return to Montreal in just over a month, I've been periodically squealing in delight since partner-in-crime Guillaume (aka G'Homme) played this for me barrelling down Ste. Catherine last week. Baltimore-based Spank Rock's Sweet Talk hits similar po-funk spots as bi-coastalians !!! or AreYouFamiliar faves Velella Velella: a head-nodding, arm-thrusting number that finishes with a cascading schoolgirl chant, leavened with sweet percussion and their patented brash lyric stylings...

Heads would do well to check out a Spankrock video hosted by the BigDada crew, featuring some extensive MTL metro action, including a detailed explanation of the ACT. It's here in Quicktime format.

Montreal, QC
Thursday, April 12th
Spankrock, Devlin & Darko et guests
@ Main Hall (5390 St. Laurent)
$12 adv/$15 door

Everybody's favourite jet-set juvenile Douglas Ko of SLUM fame had 'em over in Vancouver last month, and from all accounts, it was incredible. Now, someone throw Think About Life on this bill!

Order Spankrock from BIG DADA or TurntableLab if you're so inclined.

Goldkixx II

GOLDKIXX II IS THIS WAY
...sorry about the disappearing act...

Uffie Pops...

Uffie - Ready To Uff.mp3

Cut-to-shape perfect bio: pint-sized female rapper with a foul mouth, originally from Miami (f'real?), worked with Feadz (that's her boypal, sorry, fellas), remixes by Mr. Oizo and SebastiAn, a 12" (Pop The Glock) released on Pedro Winter's Ed Banger Records, and all of 19 years old. This is cross-continental stumble-hop with RapMaster synth-estra hits, which gives me high hopes for the upcoming full-length. Jesus, with the exception of Poirier, Ghostface & Spankrock, the only new hip-hop I've been really excited about has been from Europe (Modeselektor, Roots Manuva, TTC, et al.), huh?

Unfortunately the Uffie/Mr.Oizo/Feadz tour wasn't able to stop by Montreal this time given the short notice, but I'm hopeful that Uffie will be here sometime soon. MEG, perhaps?

Curious nerds can drop paypal euro$ at ARCADEMODE, or get creep-like at her myspace page.

Goldkixx II: Yours, Mine, It's All About Crime.

Goldkicks was getting a bit sluggish, owing to its advanced age and the burden of extensive archives of drunken rambling, half-baked commentary and earnest pleas to attend various DJ nights.. Here's hoping that version 2 will prove to be a more focused effort.

Guillaume Decouflet and myself are DJing under the moniker IVORY TEMPLE and have some more nights and gigs coming up, as you can see on the top-left. Hook us up on the myspace if you're so inclined.

I'll be in Vancouver for a couple of nights (March 31st and April 12th) on my way to and from Hawaii. Anyone with points to check out in Maui, let me know, and I'll see a lot of you V-couvs, however briefly, soon!

A couple of points of interest over the next week or so... Ghetto-tech-er Disco D at Kop Shop on Friday. Tonight's a new PeerPressure night @ Blizzarts... I'll be recovering at home, but it should be good. If you're in the same state as me, stay home and check out my man Alex' show on McGill's threatened station, CKUT 90.3, midnight - 2 am.

Sailor White

Sailor White - Mortimer Pass.mp3
Sailor White - In The Country.mp3

Sailor White is a project by the man better known to Montrealers as Crawdaddy Simon, a real mensch who displays a breath of knowledge on many bands and albums garage, psych, punk, pop and thus related that shames even the most in-tune autodidact (you need a comprehensive breakdown on the hidden treasures of the Graf Zeppelin or The Misunderstood discographies? He's your man!). He puts that expertise to good use in monthly DJ gigs (called "the best rock n' roll DJ in town" by wiley ol' codger Jonathan Cummins in the pages of the Montreal Mirror), and now I've got a couple of four-track demos from a new project he's working on titled Sailor White that I've been quite excited about since I was made aware of 'em.

Fans of that Heron song Yellow Roses that I posted a while back will find a similar whiff of the pastoral in the instrumental Mortimer Pass, which could just as well have been recorded in a meadow, too. Whistfully melodic, it's the sort of song that one hopes to have playing on a lazy summer morning. In The Country is a paean to the inherent pleasure of escaping the city that's been set to bongos, acoustic and electric guitars that kicks it up with a great rolling guitar lead before the chorus' reprise.

When I asked Simon about other things he's been involved, he mentioned a "modest contribution on acoustic guitar to the new album (Red Rayon Flower, Night Beneath The Sea) by Rivers & Mountains alumni Emerald Cloud Cobra". (There's actually a launch for that album here in Montreal at Toc Toc (6091 ave du Parc) this Friday. More info on the album, check here.)

Ladies, Simon is single and an Aquarius...

Punters, drinkers, music fans and potential suitors (suitresses?) should check out his upcoming DJ at Casa Del Popolo (4873 St. Laurent) on February 7th. Get in touch with him through his myspace page, check out some more songs and bug him to put together a band for some live performances. A little caveat: I've already called dibs on playing the bongos. Maybe you could play flute?

Strangely, Jaime over at the always-on-it, must-read Daughters of Invention blog has a post up with a couple of mp3s from Hamilton band Sailboats Are White. February 1st: a nautical sorta-day. (SAILBOATS! SAILBOATS! NOT SAILORS! SAILORS CAN BE WHITE OR BLACK OR RED OR YELLOW OR STRANGELY GREY IF THEY'D REALLY LIKE TO BE! IN FACT, ON CERTAIN TRIPS IN TREACHEROUS WATERS, SAILORS CAN BE GREEN IN THE GILLS!)

Parricide v1.02.1 Jordan Robson-Cramer et Mathieu Malouf

MAGIC WEAPON - Fireflies.mp3

As I'd promised below, here's a new track from MAGIC WEAPON, which is the nom de chanson recently adopted by Mathieu Malouf and Jordan Robson-Cramer. You'll remember them from Parricide v1.02, Jordan is the multi-instrumentalist who's also doing time with Sunset Rubdown (who'll be on tour with Frog Eyes later this spring and have a new EP out on Global Symphonic) as well as Boite-Noire's friendliest clerk, and Mathieu is the curator of Concordia's Cafe X Gallery and master of . There's a little touch of the same analogue-synth stutter rap style a la Ratatat in this song, and that hook at the end is one of the catchiest I've heard in a long-time, I hope it segues into a fully-blown song on the next track. Magic Weapon now has a name, a Myspace page, the love of adoring fans, and hopefully some shows scheduled in the future.

Bonus Mp3s To Compensate For My Lack of Updates
The Coachmen - Household Word.mp3 (for Dan)
Josef K - Sorry For Laughing.mp3
Paul Haig - Ghostrider.mp3 *
Orange Juice - Louise Louise.mp3
Book of Lists - Points of Arrival and Departure.mp3 +


* Paul Haig was the frontman of Postcard Records' Josef K. This version, most people will agree, is far superior to The Rollins Band's unfortunate butchering of the track on the soundtrack to The Crow.
+ I've written about them before - The Book of Lists are one of my favourite bands in Vancouver, if not Canada, right now. Fronted by former Radio Berlin guitarist and vocalist Chris Frey (also, one hell of a photographer and swell guy), let's hope a full-length to follow up last year's superb EP Red Arrows shows up soon.

Parricide v1.03: Telefauna

An ambitious pop quartet running Devo and genre-specific pop allusions (that Cultural Studies degree has real-world applications?) through lo-fi circuitboards, Telefauna is another entity making castles in the early 20s sandbox, applying a rare eye for technique and craft that isn't obsessive (fourty guitars layered through your four-track does not an album make), or half-assed, but made in the same spirit as The Go! Team. At last year's Pop Montreal they packed PreLoved's in-store with an enthusiastic set hampered only slightly by a number of tech. difficulties (crappy mic stands, a bitchy and unco-operative drum machine) and won over the crowd, and this year promises more good things for the kids, who package up a lot of promise, talent, wit and good natured fun. Truly!

Telefauna - Phantom Limb

Telefauna's First EP was self-released late last year, a dynamite stick of a four-song release packed with ideas, hooks and that cleverly knicked production techniques from hip-hop's leading lights. Culturally aware, but not trapped in some nightmarish feedback loop, it was a promising first shot from their camp, refugees from the Thunder Bay gulag. What's the last thing good to come out of T. Bay since domestic comic strip For Better Or For Worse? Is that even from there? Do I keep making the same unfunny and incorrect joke over and over again? Phantom Limb is one of the stand-out tracks on the EP, featuring a percussive wah-wah rhythm guitar, analogue synth-stabs which transform into octave jumping and rolling basslines, that form the basis of a pretty stomping song that ends in over-dubbed arpeggio. Sweet.

Telefauna - The Latest Information (Booji Boy Version)

This song's not a single from a recording session just completed with Graham Van Pelt, whom you'll remember from Parricide v1.01., but they will be working with him in the future. Of The Latest Information (Booji Boy Version), Tyler says it "might just be a single, or if it stands up, we may rework it" for a new release, set to see the light of day in 3 or 4 months. It satiates the market's demand for melodies based on the the Arabic scale and rhythms, which grew out of the cultural uncertainty citizens of the West now feel after 9/11. Like Aladdin, which articulated the dearly held myths about the Middle East and Arabic culture of many North Americans. That is, there are genies (mostly wacky, sometimes evil), and there are royal families, and also, shady merchants. Everyone wears billowing and pleated pantaloons.

As befits a bunch of youngsters who've yet to have their dreams dashed on the jagged rocks of reality or post-graduate aimlessness (I didn't even get that far!), they cast their talents far and wide: front-man Adam Waito devotes some of his time to the handsomely-designed gender studies journal G-Eunuch; Tyler Rauman is an accomplished illustrator who's hand can be seen behind some of the more phantasmical posters around town (get a glimpse here); Katherine Peacock has her own project, the psych-pop cabaret group Dorian Hatchet; and Ian Goodman, well, peek over at his myspace page for the details on that...

Check out more mp3s and buy their EP at www.telefauna.com.

Flaky Disco!

Alex Lemieux, one of the premier curators of left-field disco at Zoobizarre (amongst many of the other hats he wears - Les Georges Leningrad manager, MEG programmer, occasional bartender, promoter of the Champagne & Sparks cocktail) just started up the Flaky Disco blog. Witness!

Parricide v1.02: Jordan Robson-Cramer

I've known Jordan Robson-Cramer for a number of years now - first encountering him as the precocious youngster who showcased a Sven-Gali like mastery of his first high-school band, whom I caught playing beside city hall in the summer of 2001, and from there as excitable contributor to bands and projects in Victoria (Short Pants Romance1, for one), who maintained a studio in the basement of his mother's suburban home, and was often spotted with a bag of candy in his hand and a whole smattering of enthusiastic opinions on music he was discovering. 21st Century Fox, a small studio project, showcased a love of frantic, neu!-wave leaning art rock harkening back to the better elements of The VSS' catalogue (Nervous Circuits!), and was sold as a CD-R at Ditch Records.

Jordan, at left, with Toronto's favourite electrician, Derek. Note to Jordan's mother: he does not smoke.

Like many good people Victorian, he's since moved to Montreal, making himself known as probably the only one of the ex-pats who's French-speaking, tinkering a bit under the moniker XY Lover, and more recently, playing with fellow multi-instrumentalist Mathieu Malouf (a native Montrealer who has a knack for coining phrases that sound as if they belong in Damio Suzuki's lyric book) and devoting time to Sunset Rubdown, which is Spencer Krug of Wolf Parade's other project.2

X Y Lover - Expand Your Instants Into Oblivion

Expand Your Instants Into Oblivion fits handsomely into an aesthetic school of artists that are re-examining the ambient pop and studio wizardry of My Bloody Valentine. Like Animal Collective and Caribou, this is richly textured ear-candy: Spector-esque production techniques are utilized to force effects-heavy guitars and manipulated sheets of white-noise into fulgent waves, dreamy and rhapsodic.

X Y Lover - Your Parents' Funeral

Another fine example of JRC's studio and compositional skills, Your Parents' Funeral is a drugged and heady two minute trip that comes alive with a pair of headphones. The overdubbed half-mumbled vocals, lilting guitar lines (like that bit in Television's Marquee Moon, I envision cherry blossoms falling... Really!) and extra percussion that appear halfway through the song, as instruments and tracks slowly fade out, are the key components in this, which feels like an excerpt for a larger work that stands well enough alone.

(More tracks from X Y Lover are available on his New Music Canada site.)

I'll put a couple of more tracks within the next few weeks, specifically ones from the project that Jordan and Mathieu are involved in, after they're done adding vocals and polishing them up.

1. Short Pants Romance, named after a line in Dylan's Subterranean Homesick Blues, feat. Arlen Thompson of Wolf Parade as the initial drummer, after a couple of tumultuous years morphed into Lakeboat.

2. Sunset Rubdown just finished recording 11 songs with Jace Lacek of The Besnard Lakes at his Break Glass Studios (where the beds for the Islands record where recorded), and from a sneak preview I've heard, it's going to be one of the highlights of 2006. Absolutely Kosher will be dropping that on May 2nd of this year, to coincide with their tour with critical and audience faves Frog Eyes.

Friday Tracks.

Television - Marquee Moon (Brian Eno demo version)
The Coachmen Thurston's Song

Two stellar tracks from around the same time, same place, featuring wonderful guitar noodling. Now, I've never been a Sonic Youth fan, but I do tendency to date them (or recovering ones at least), and fans will note that The Coachmen were one of the first groups that Thurston Moore played in. My friend Dan (Fortunato), an SY fan I didn't date, had The Coachmen record a couple of years back when I was living in Victoria, but I only listened to it once and the group faded from my mind until recently.

Described by Kim Gordon as the "tallest band in the world," the group broke up the very night that Gordon and Moore met. As you can tell from above, the Lou Reed-like vocals and rambling guitar leads, mirrored what Orange Juice was doing around the same time, albeit an ocean away, and the group responsible for the song posted above. (The Royal Art Lodge associated Montreal-based group Bold Saber remind me a lot of them, too.)

Did 1/2 of MSTRKRFT pinch the moniker Girls Are Short from The Coachmen song of the same name? Anyone?

Parricide v1.01

Mathieu Malouf expends much energy attempting to wrestle the title of Master of the Melodica from Augustus Pablo.

When James Murphy so eloquently gave a voice and beat to the vulnerability and fear of obsolescence housed in the mind of the aging hipster in LCD Soundsystem's Losing My Edge, at least a couple of us laughed along while secretly shuddering inside, betraying a latent fear of the hungry young, whom, while appearing the wholesome, apple-cheeked and milk-fed youths fresh from suburban enclaves outside mid-sized Canadian cities, weren't averse to baring their teeth and chewing up their elders. What of history? It couldn't be so irrelevant, the projects and bands and feuds and all that ate up so many hours and so many dollars from trust-funds and student loans and minimum wage jobs, could it? Well, yeah, kind of, I guess.

The specific cultural craving for novelty in place of innovation in an independent music scene demands the slaughtering of sacred cows moments after they cease being calves, which, to my mind, is a positive thing. Better the cows graze off in search of the greener pastures of middle-aged responsibility and stable, well-paying vocations than for them to hang around, embarassingly drunk and lowering a leacherous eye towards the nubilians. And thankfully, in Montreal, the elders can take solace in knowing that though these kids might not show sufficient respect for the monument to human ingenuity and creativity that say, Sofa's Grey album is, they've got their own shit going on, and in many cases, it's good.

So, over the next couple of days I'm going to put up some mp3s and blurbs about newer Montreal artists who're doing inventive and awesome things, fashioning their own aesthetic and maybe occasionally sticking it to the aged.

Graham busts it in a typically handsome sweater.
Miracle Fortress - Watery Grave
Miracle Fortress - Eschatology
Think About Life - Snowee Caterpillars

The first artist I'll mention is Graham Van Pelt. The tall fellow with the shock of red hair sits behind the controls of his Miracle Fortress project, in addition to co-piloting Think About Life, providing excellent soundguy skills, and being a member of the Friendship Cove household/venue/conceptual space. Any listeners to Andrew Rose's Pop and podcasts will recognize the above names, and may have even witnessed Graham's recent performance at the For The Kittens Who Lost Their Mittens benefit in December.

Graham's songs are thoughtfully composed and home-recorded, they bounce like all good pop music should, and also present a variation on the ubiquitious (and oft-times poorly executed) genre of casio-pop that interacts with some of its unspoken rules, without sacrificing craftmanship or veering off into kitsch.

Watery Grave is a sea-shanty or stumbling waltz, comprised of sparring melody lines, vocal overdubs and Glass-ian arpeggiation that's half exubriant pop song, half expansive soundscape. Curiously, Eschatology begins with a beat more than familiar to the above-mentioned James Murphy. Note the bass line and hyper-active kick drum!

If you're interested in acquiring a copy of the EP, go check out Graham's myspace page for ordering info.

Danava, Soaring... A Race Of Power-Seeking Giants.

Danava - By The Mark
Danava - Silver Shock

Fronted by the newest member of Glass Candy & The Shattered Theatre, the scarecrow-voiced Dusty Sparkles, Danava (formerly Walk Walk Pink) are a Portland-based psych and glam group that wields a mighty sword, indeed. Forged in the flames (keeping with the clunky metaphor here) of myth-loving 70s Anglo-rock (Yes, Sabbath, Hawkwind...) they pull it off admirably, lo-fi production complimenting the group's sonic ambitions (plenty of stereo-pans, overdubs, fuzzed out guitars).

I have a soft-spot in my heart for this sort of epic metal-tinged rock, but a lot of bands seem to steal too freely from the Iron Maiden catalogue, and, even worse than that, from the bloated studio production and convoluted myth-matching (Mr. Bolan can take responsibility for that, being the master of nonsensical nomenclature), so much so that it marks their endeavours as costly, sub-par wankery. Danava are tinged with that tooth-rotting nostalgia I demand out of so much of my music (and that characterizes a lot of the great music from that San Diego to San Francisco to Portland post-Gravity Records diaspora), but seem fresh, not anachronistic. And where Black Mountain have the tendency to boogie, roll joints in fields and play bongoes, members of Danava more than likely prefer to avoid the sun.

These two songs are from a tour demo - with a new double album in the works (they're going into the studio in the next couple of months) and some touring, they'll be bringing salvation to the sexually and sonically confused kids who cower in high school art rooms across the midwest.

. . . . . . . . . . . . N o t e s . . . . . . . . . . .

Fellow Montreal-er Justin at A Boy & His Blog has a couple of tracks from the upcoming Pink Mountaintops EP.

Hey hey to Marc at Tonight Let's Dance for the link!

The Mirror's 2006 Noisemakers issue is out at deps and cafes everywhere in the city as of today, and manages to get a couple of things right - notably the inclusion of favoured Goldkixx musicians The Besnard Lakes and Tony Ezzy (which reminds me, I've got some mp3s to put up.).

Rock On London

Mar Sellars, the very owner of the ass above, just starts doing this podcast thing, doesn't even tell me, and just leaves it up to my own handy-dandy internet skills (uhh, self-googling?) to find that out? Jesus! Well, anyway, Mar Sellars, who by every teensy fibre of her human being is beloved, who formerly played with living legends of Vancouver The Ewoks (and you know, some other groups, too, like The Riff Randels), the very one who spent plenty of time twiddling knobs and sometimes interviewing them, too, with CBC Radio, is now living in London, England, and hosting the RockOnLondon podcast. Visit her, give her love, and if you're a BBC Radio (or even television) producer - why haven't you hired her yet?

P.S. Aussi, merci bien pour l'amour, blogotheque, et je suis désolé que mon français soit si terrible. Je blâme B.C. Salut!

"PHILOSOPHUM NON FACIT BARBA"

It was the only photo of Ryan I had...
Himalayan Bear - Aloha.mp3

Unless I'm mistaken, which occasionally happens (and how!), Vancouver Island is about as close to Hawaii as one can get in Canada... Which makes this track all the more apt. Himalayan Bear is the nom-de-chanson of silken-voiced Ryan Beattie, he of Victoria's Chet, whom (if you were watching) dropped a gorgeous album Kau'ai (Hive-Fidelity - in Europe on Labelman?) earlier last year that spent some time on the college charts and more time in my CD player. (They've apparently got another one on the way.)

Ryan's distinctive voice, capable of baritone and falsetto leaps that would injure most other human beings terribly, working with a lap-steel, makes the perfect sound for this song, which suits my current desire to escape the damnable Montreal cold for tropical beachland. Even if I have to wear a grass-skirt.

Aaargh Records will be releasing the Lo, Lonesome Island! EP, from which the above song is taken, in a month or two. Jump on it!

Notes...

Congratulations to The Diableros on their signing to Baudelaire (Alright, that's the correct spelling now!), Torontonian home to Tangiers.

Sibling Bostonians Ponies In The Surf, whom I covered a couple of months ago have dropped their first full-length Ponies On Fire, on Asaurus record, and have been mopping up love and kudos from blogs far and wide.

Code Pie are at The Main Hall (5390 St. Laurent) here in Montreal on Saturday.

Midnight Poutine keep up with the scheduled barrage of updates from their dedicated army of scribes. Recent missives from the front include the 2005 round-up, with a hash-induced list from yours truly, amongst other Pop-kids like Daniel Seligman, Andrew Rose, and Shawn Petsche. Mr. Rose has also been keeping good house at both the Pop Montreal site and his own blog, as well as recovering from seasonal sickness. Send him love.

New Year's wasn't the black hole of booze and memory impairment that last year was (thank God)... I was down at the W's Wunderbar for Robin Simpson's curated shindig... Music provided by DJ Paddy (he of The Scissor Sisters) and personal and musical favourites Dandi Wind, who were fresh off of a prodigal son's style trip back to Vancouver. Go buy their album or EP already.

Ann Sexton - You're Losing Me

Ride - OX4

Bring Back Slow to Burn Records!

Daddy's Hands - Bastard You're A Hard Man To Love / Redman
Daddy's Hands - Granny's Gotta Eat

As I'm a cheap yousendit.com user, anyone referred to this site from editor Greg's alternative top 20 list looking for Daddy's Hands would find nothing. I wouldn't want to deprive anyone, or at the least, tease a couple of people, so here are a couple of mp3s from the (collective?) figure that cast such a large shadow. Lives have been touched!

The first is a track from the Group Therapy Explosion compilation, released way back last century by the sadly defunct Slow To Burn Records in Victoria, BC. If my memory serves me correctly, that's Johnny from Atlas Strategic on saxophone. You may be erroneously expecting an appearance by a Wu Tang personage. Not the case.

The second track is from an album recorded earlier this year, for release at some point in the future, let's all hope by a label with enough resources or enthusiasm behind them to give it the promotion that it so richly deserves. This month's Dave Wanger Fanclub Hotspot: Ypsilanti, Michigan.

Todah Rabah

Talking Heads - Thank You For Sending Me An Angel (CBS Studio Demos)
Yo La Tengo - Be Thankful For What You Got

Allow me a bit of a rare indulgence: to write with a smattering of sincerity about some of my favourite blogs. More than animating a lifeless afternoon in an office, or being clever diversions on the level of the ILM messageboard, these people have showcased music I've come to love - bold and (damn it) invigorating artists and songs oft times matched handsomely with crafted, witty critiques and praise, a testament to the care and intelligence that the scribes represented by the blogs below put into these things. This is no complete or conclusive list, as there are plenty of other great sites out there (some on the side-bar to your right), but these have my ear at any time, and would benefit anyone greatly from a visit.

20jazzfunkgreats The UKids at 20jazzfunkgreats have consistently been one of the capital-G Great blogs of this past year, (and the year prior!) curating a sonic vision of post/post and pre/post punk grit that's consistently awesome and surprising, which ain't, you know, all that easy. Inspiring feelings of 7 Inch Envy, they've also showered much love on Montrealers like Dandi Wind, Duchess Says, Les Georges Leningrad, and We Are Wolves, to name a few.

Said The Gramophone The oft-checked Said The Gramophone, a venerable institution (if Fluxblog is the Grey Lady of the mp3-blog world, Said The Gramophone is the New York Review of Books) had a face-lift recently. It's a ternary operation with points in Edinburgh, Montreal, and Toronto, that occupied many of my hours when I came upon it in 2004 while working at McGill. It's edited, it reads well, and advocates a well-crafted form of pop music that if oten, sadly, an anachronism in these times.

Popsheep In my mind, they're ...SaidTheGramophone's little bro (not to indicate a diminutiveness of importance, however). Popsheep feels hand-crafted and cared for - like stumbling upon a zine that surprises by reading well, being smart and leaving guests smiling. Correspondents of their roughly hewn wire service are stationed in Toronto, San Diego and Vancouver.

Are You Familiar? Another daily visit, Are You Familiar?, the cleverly titled dwelling of Toronto's own Greg - a young man who sneaks time away from an 80 hour work week to dig up gold soundz from here and there, and rescue Toronto from its reputation as the Mecca of Canadian musical mediocrity, which is a nasty, petty conceit I'm slowly weaning myself from.

Daughters Of Invention Newcomers Daughters Of Invention are purveyors of hidden dance-floor jewels, currently and from decades past, sold without bad faith or ironic distance, and occasionally leavened with lilting selections from the left-field of the 2nd fin de siecle musical almanac. There are salesmen, and then there are merchants...

Molars And finally, there's Molars, Kevin's state-side blogger, who's been known to (from time to time) drop rare A. Collective covering Nirvana tracks, as well as giving frantic nods to Montrealers like Shalabi Effect. A veteran, and frequent updater!

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If you're one of those sorts who make grand pronouncements about the intertwining of social circles and music production when you're drunk, only to regret it later and spend the rest of the year defensively swatting at the publications they appeared in, you'll remember the helpful fellow pictured above as being David Carr. The NYT culture critic and one-time chronicler of Anna Wintour gives us ent-blog Carpetbagger, which I shamefully check every two or three days.

Atlas Strategic! Again!

Atlas Strategic - The Day It Came To Earth

It's time for another one of those cred-building posts, wherein I stroke my ego, bruised as it is during this season where I, the Gentile aspiring to convert to Judaism, finds himself straddling two worlds, not quite at home in either. Consequentially, I drink, I curse, I eat lentils and rice for four days, and now, I post another track from Atlas Strategic's second album, released in a limited, limited edition, only available during a brief tour and in one record store - that indisputable heavyweight of the West Coast - Victoria's Ditch Records (635 Johnson St - go there!).

Atlas Strategic was, of course, the band that Dan Boeckner of Wolf Parade fronted previously. Joining him were Johnny (on backing vocals, organ and mini-korg), Brooklyn (on bass), Steve (on drums), and later, Jeff, on drums, with occasional appearances by half-deaf, legendary producer of Victoria punk rock records since time-eternal, Scott Henderson. Released in two pressings - the first featuring some futuristic themed artwork briefly spotted on their NewMusicCanada website, and the second, a Victorian-themed Cat motif, designed by drummer Steve and printed by yours truly (cred, cred, gimme more cred!) at the expense of the BC provincial government (under the table grant program), this album ain't kicking around anywhere for your grubby little mits. Global Symphonic, however, did have the first album which was in print up until rather recently. I'm sure some random distro in Kentucky or somewhere (think Stickfigure?) has a couple of copies lying around.

I've posted stuff from this before, so astute observers of this blog should be slowly, over a period of five years or such, be able to acquire the album. What an incentive to check in daily! Anyway, this album also features the song National Flag, which would be revived as a Wolf Parade song under the title National People's Scare. Dig!

Now you're the coolest kid in your dorm!

Turzi: Torches Of The Sun...

Turzi - Soloromano.mp3

Turzi are Parisian, fronted by guitarist, vocalist and namesake Turzi: relying on repetition, evocative arrangements and strong synth work to convey a spacey and airy 21st century vision of rock kosmische. The group released an album on RecordMakers, home to AIR and Sebastien Tellier. Can is an obvious touchstone throughout the EP - texturally and rhythmically, though where their unique soundscapes charted the macabre elements of the human psyche, one of kitschless paranoia, Turzi lace their songs with synths and rhythmic elements more common to early Klaus Schulz, or the more exubriant bits in the Cluster catalogue. I'm hopeful that we'll see the group on this side of the Atlantic in 2006, and I think that the material on this record (Made Under Authority) will come fully alive and soar in a live setting.

The above song (Soloromano) shares similarities here with Hawkwind's Opa-Loka (from Warrior On The Edge of Time), though the latter has less of a melodic focus and doesn't fall apart halfway through, its rhythm re-assembled and coupled with a rusty modulated synth-line. Listen to at a high-volume, and scoot over to the Record Makers website to listen to more and order the damn album.

Mirth!

So, bored out of my skull, I downloaded all of these podcasts, including four episodes of what is quite possibly the funniest radio program I've heard in the twenty-five lackadaisical, slack years I've been alive. The genius of having the character Carl explain the bizarre logic behind many of his hypothesises is evident after one listen, and he receives more licks than he deserves sometimes, the amount of thought he's put into his absurd worldview is astonishing. If you're really itching for a Hannukah present from me, or even, say, a Christmas present, well, this is all you're going to get, and Jesus, it might even be more than you're worth. www.guardian.co.uk/rickygervais

Laughter, what else is there? What have we to share? What jumps the chasm between generations with ease and provides delight for all ages other than the greatest and most human of all arts, comedy? Please, for your health and mine, visit the website of San Francisco's Coyle and Sharpe, where you can uncover relics of a bygone era, when wit served to create a stylistic wackiness. Download the Druggist mp3. Wonderful.

Print Media! Podcasts!

The Goldstein

1. Dan(ager) left behind a copy of the premiere issue of Guilt & Pleasure at the office. Many distinguished contributors grace the masthead, including broadcaster Jonathan Goldstein (host of CBC Radio's Wiretap and droll contributor to This American Life), cartoonist Ben Katchor, and writer Nathaniel Deutsch. The publication evolved from a salon in Toronto on modern Judaism and Jews to the journal on (vaguely) the post-assimilationist return to Judaism and Jewish culture, secular and religious. File next to Jewsrock, Jewlicious and Heeb Magazine. It's often easy to lose sight of the true meaning of the season, to get caught up in the holiday hubub and demands, that one is tempted to skip the double-bills and Chinese food altogether. Well, that may be fine for some, but as for me, I'll be seeing The Producers and King Kong this weekend.

2. Having some serious problems sleeping, a state I believe to be directly attributed to a potent strain of marijuana, and deciding that upon hearing CBC Radio 1 hostess Sheilagh Rogers' voice that it was necessary for me to leave the apartment today, I made my sleepy way off to the office, arriving to find a large stack of the first issue of Bang Bang, a French-language publication, its cover adorned by psych-wavers We Are Wolves. I've only thumbed through it, so I've got little else to say, though I must issue a dire warning to any publication that chooses to highlight a Lagwagon interview.

3. Journalist, actor, DJ, musician (remember Do They Know It's Hallowe'en?, We Are Molules, The Hot Pockets?!?!?!?!?) and my personal nemesis Adam Gollner has inked a book-deal with Scribners' & Sons to publish his book The Fruit Hunters. According to Publisher's Weekly, "the book will combine travel, horticulture and business in its look at a variety of people passionate about fruit, not only genetically modified supermarket fruit, but small, unique types one has to travel far afield to get, cultivated by often-fanatic naturalists eager to preserve endangered varieties and invent new ones." I'll begrudgingly congratulate him on that.

4. The Mile End's favourite Freudian, Andrew Rose has been busting his ass getting all of the year end Pop Montreal Podcasts together. So, do yourself a favour, and check 'em out at Pop Montreal or the mass is secretly obsessed with nipple dream. "Jung was a tool."

5. Patrick Watson has signed some sort of "record deal" - an antiquated arrangement of some sort that old timers might recall as being quite prevalent in the last century, details will be floating about soon, I assume.

Hu Hu!

RD Burman, Asha Bhosle and Kishor Kumar - Lekar Ham Diwana Dil.mp3

If you see a drunk jerk such as the one picture above (hey, that's me!) tonight at The Green Room or tomorrow at Zoobizarre (for that Echo Kitty / Sean Kosa / Services triple-bill) in Montreal, come up and speak clearly into the microphone. Yeah, yeah, I'll be out shilling and drilling for the Pop Montreal Year-End Popcast, so I'll need album, show or band picks from 2005. Andrew Rose will be on the decks at the Green Room, along with Thomas Sontag, for the last Fondue night of 2005. Perhaps the new year will come complete with a new moniker (I love you, man, but melted cheese dip is not the most alluring name-sake for a night)...

Remember a couple of years ago when all those Bollywood comps were coming out? Ehh, vaguely, as I was working/hanging out on my weekends at Ditch Records in Victoria. Just prior to the release of Ghostworld, which must have felt like one hell of a back-hand to record nerds everywhere, and after all of them had ordered in every damn Morricone import available (and many not). I didn't really pay attention, which is kind of irksome to me, as over the past year it's been a constant staple in my listening diet. And no one plays this shit anywhere, possibly because they had an overkill of it a couple of years back. Anyway, another spectacular Burman/Bhosle coupling above, complete with those great orchestra hit tone-drops. Yessah!

Summer Nights Are... Alright.

JENNY WILSON - Let My Shoes Lead Me Forward.mp3
The Knife (feat. Jenny Wilson) - Take My Breath Away.mp3

31 year old Swede Jenny Wilson, (mother, occasional The Knife collaborator - that's her on calypso-electro grinder You Take My Breath Away above) played, produced and slammed together a wonderful 12-song debut, Love & Youth that came to me a little after... Her unique voice, a precious mixture of the Bee Gees' Gibb brothers falsetto and stage-trained projection, belongs squarely in the idiosyncratic corners of 70's AOR. The production is rich and smooth - vibes, rhodes and other organ flourishes are coupled with acoustic guitar recorded to Tony Visconti's standards, and the clean and sparing production allows both the diverse instrumentation and vocal overdubbing to stand-alone. A head-nodding, stylish, substantial and sophisticated debut: the appropriate mixture of economy and abundance...

Let My Shoes Lead Me Forward, the single, is upbeat, with a great bridge and soaring chorus, that struts, bobs and dips...

Related... Swedish duo The Knife, comprised of Karin Dreijer and brother Olaf (aka Dj Coolofs) have a new album ready for a March release, tentatively titled Silent Shouts. The last album (Deep Cuts) was a treasure-chest for producers, overwhelming with enough textures, ideas and skewed melodies, as well as a dance-floor favourite, that my expectations are running pretty high for this, occupying myself with the Vitalic remix of Royksopp's What Else Is There?, which features the unique, parsed vocals of Karin, and their remix of labelmate Jenny Wilson's Let My Shoes Lead Me Forward. If you haven't heard The Knife yet, or alternately you're creeped out by them (my first reaction), I'd suggest investigating a bit further. There's a similar creepy theatricality that the group shares with Destroyer's Your Blues album - a world where the weight of history and decadent rot is temporarily lifted by the timbre of the midi trumpet.

I have to tip my hat yet again to the impeccable taste and crate (err, mp3?) digging persistency of Greg at AYF, after yesterday's post introducing me to West Coast r&b-pop quartet (nooo, don't run away, come back!) Velella Vellela. Hit it up.

My Upstairs Neighbours...

ECHO KITTY - Suzi.mp3

Where has the appreciation in 2005 been for Echo Kitty? Why so absent - critics, fans, music-lovers? There's been a considerable amount of attention concentrated on some very deserving acts that exist outside of either the Arcade Fire / Wolf Parade or Tiga/I Love NEON paradigms throughout the last half of this year - that is, Dandi Wind, We Are Wolves (who seem to receive more coin-tosses from the post-hardcore set, than the electro-types, though), Duchess Says, Call Me Poupee, but none for Xavier et co.

I received a bit of a tongue-lashing from Xavier around last year's Pop Montreal when I expressed my distaste for the name, but I think that one should be open to considering that the group is not receiving the attention they do truly deserve primarily because of that name. People are shallow, a rose would not be just as sweet, and so on. But I trust that you, good readers or at least occasional skimmers, will ignore that, give the above song a listen, and if in the hood, come and see them this weekend. It may help to think of the band's name as FRXCOBRA or EARTH OR JAPAN.

The song has one of the most sugary-hooks I've heard in a long time, a breathy that pops it's head up once and leaves me wanting and expecting a reprise. This is Indochine-esque pop awash in carefully chosen textures and crisp vocals, graciously lacking the stain of backwards-gazing irony.

SATURDAY, DECEMBER 17th
SERVICES (NYC) et ECHOKITTY (MTL) et SEAN KOSA (MTL>

ZOOBIZARRE, 6388 St-Hubert, 6$, 21h

True believers with musical talent may be interested to hear that Echokitty have put out a call for drummers and synth-players... Check the website for more details.

...Toronto-watchers should check out Shack-Up's 1st Yr B-Day Party the night prior to the above show, hosted by Mikey Apples and Jaime of Daughters_of_Invention

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Jetstreams...

Some sort of bizarre border trouble has sent Blood On The Wall back to the US, so tonight's show at Sala Rosa will be a two-band bill - Psychic Ills and Feu Therese, for $5. See ya there.

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Greg of Are You Familiar just put up a Best of 2005 list. In this case, we've picked the top Canadian Acts of 2005. Contributors are Greg (natch), Stuart Berman of the Eye Magazine, yours truly, and include an addenda by Jaimie at Daughters of Invention with her top 3.

A couple of groups on the list I'm not familiar enough with to really put them on my 2005 list, though I'm looking forward to whatever happens in 2006 - notably, MSTRKRFT, The Diableros, and The Paper Cranes, and a number that I was pushing for, but didn't make the cut - Et Sans, Think About Life, Anemones, Feu Therese, and some people I had no idea about, but will check out.

The Alternative List of Canadian Bands By A Few of The Other Canadian Bloggers

SURGERY: The Nail In The Coffin of Post-Rock?

The Psychic Paramount - para.five

1.Two years ago I was recovering from a wicked hangover after a West End Vancouver evening, 2.one year ago, reading Tokion and drinking tea.

1. THESIS + 2. ANTI-THESIS = 3. SYNTHESIS

3.The Psychic Paramount - red-eyed, blood-curdling, galaxy-straddling, throwing down the psych-gauntlet. Nuances, maybe? Noo. I hear telecaster run through a fender twin reverb (is this some alternate universe incarnation of Scanners/Genius Pool?), brain-pan scooping, 12 year old stoner fantasies about slasher flicks and sci-fi worlds, low-flying combat helicopters... This is from their first studio album, the gargantuan Gamelan Into The Mink Supernatural, which is about as stupid a title as all the free-association rambling I just typed above...

Christopher Taylor, National Gallery summer intern big-wig and AIDS Wolf-er, hosts an exhibition by Matt Moroz and Morag Kydd entitled Remote Viewing Of A UFO Safari tonight. According to Herr Taylor, there will be "beer, wine and girls." And, I assume, some sort of art?

The Blackboard Gallery
2222 Plessis (off of Sherbrooke east, souh of Parc Lafontaine)
More info at: 514.690.0252

Paranoia & The Psyche.

I've been skipping through a couple of alien8 releases today, which is no easy task given the lead-like nature of one of them. The Nadja debut Truth Becomes Death has a hefty dose of doomy, Neurosis-esque baroqueness, at about 16 rpm or so, and loosely based on a number of texts relating to the Golem myth, which should make it a shoe-in for placement alongside the Tzadik trading cards at one of my neighbourhood's Hasidic grocers. I never had much of a stomach for the procession of grinding and almost paralyzingly slow noise bands, but it makes a nice palate cleanser after enduring to the myriad of mp3s, cassettes, 7"s and albums from the bastard-children of Lightning Bolt et al. that I'm usually swamped in while seeking out new music.

The Shalabi Effect - Pai Nai.mp3

Also in the pile was the most recent Shalabi Effect album Unfortunately, which begins with Out of The Closet: a paranoid and schismed cut-and-paste opus, stomps through Pai Nai (about the closest to a pop construct the quartet makes it - Hawkwind communing with Harriet The Spy) and seems to warn off any spiritual seekers. Y'know, the path to transendence (injected, inspired or otherwise) is crooked, off, sinister and foreboding, leading to a series of dead-ends or caverns. What moments of cheer and exubriance glimpsed here have a manic, creeping quality. Cinematic, dark, more than a little macabre but ultimately seductive, I don't think that I'm in possession of a strong enough mindset to listen to this under the influence. Buy it!

Clips available on the alien8recordings website

Heron - Yellow Roses

Heron - Yellow Roses

...From their first self-titled album, released in 1970 on Dawn Records (an imprint of Pye, specializing mostly in prog), a charming slab of British Isles folk that bears no trace of the braying donkey-like vocals that marred other similar albums from The Incredible String Band (a village drama teacher lending her vocal skills on those album cuts, perhaps?) et al, and possesses forward-thinking production and instrumentation that allow the album to age quite handsomely. According to lore, this album was recorded in the middle of a field: bird-sounds!

The group re-united last year, releasing a couple of albums and performing in England, but I haven't had the chance to listen to them. Relaxx Records is run by Heron member Steve Jones, and albums are available for order from his website, and there's a film titled In A Field Of Their Own documenting their return to performing music again.

Losing Yr Vestiges

GEIGER - Cocain-e

A more alluring tribute to that deadly white rabbit or horse or dragon (whatever it may be) has never been penned. Maybe you've got to be rolling on a huge enough scale to make weekly trips in a charter jet to procur your supply to have your coke go down this smoothly - that soft falsetto, with tastefully strummed guitar chords and a bubbly, popping bassline, has nothing in common with the acrid taste of burning metal that pops up after you bring your head down for the second time, and especially nothing with the petrifying, paralyzing feeling of shame that keeps you in bed until 3 in the afternoon the next day, looking through the listings for a movie that's playing that'll keep you away from the terrifying ruminations on your life, social setting, and how you don't know if anyone really and...... Oh well, one would imagine such a situation arising. I've heard stories.

Adult Fun.

that same fucking photo...

The new album from Destroyer (Rubies) should be a welcome return after his experiments in high European modernism in Your Blues (midi as a Brechtian distancing technique?). From the two preliminary tracks I've heard and indications from others, the album's stylistically compatible with Streethawk and This Night. I'm thrilled to be hearing some new stuff, but I wouldn't be disappointed if Bejar had continued on the path set by that previous album - the sleazy, King's Quest on Commodore 64-style production won me over about 30 minutes after I decided I detested it - but this is certainly more than sufficient for me, and if this keeps him away from The New Pornographers, great!

Other preliminary indications - this is a reprise of previous Destroyer line-ups, there will be 10 tracks on the album, and it'll be out in February.

Destroyer - European Oils.mp3

Here's a breezy song, with some minor-league Mark Knopfler-esque guitar flourishes and Bejar's wonderful caterwailing. Despite the denseness (those overdubs!), the song doesn't come off as weighted, and the insistent rhythm finds itself galloping right into the note-perfect outro, a gorgeous rollicking bit, complete with what my ears discern to be a saxophone. Note the amazing moment as song builds to a crescendo, the dirty guitar lead overdriven, Bejar brings his voice down and... "The fucking maniac!"

There's a great moment in an interview with Harry Nilsson, done sometime just before the release of the Popeye film with a Scottish interview who's name has escaped me (Andy Clyde, perhaps?), where the interviewer makes an observation that Nilsson plays with the lyrical clichés of show business and the music industry, quoting it back at itself... Which, one gathers, is what Bejar does, and thankfully with the same lack of self-consciousness that makes Nilsson so delightful. Another memorable aspect of the interview: you can hear Nilsson screwing off the top of a bottle of brandy (I presume?) and pouring himself healthy glasses every couple of minutes. It's an interview where Nilsson reveals himself to be both intelligent and earnest about a variety of things. It's on SLSK, I'd recommend downloading it if you have any interest in the man who once wrote a chart-topping hit for The Monkees about a gang-bang.


I'VE BEEN FILEPILED! At least gimme an account...

A Series of Visions...

A number of high-profile Manhattan invaders in town tonight...

Suhrid, the Dagger from Dehli, will be DJing with at the Tara De Long show at Casa Del Popolo. Lynne from Lesbians On Ecstasy on the decks, too.

Nick Catchdubs will be in the guest slot at Ghislain's BOUNCE LE GROS tonight, at Zoobizarre, located in the Gazette's newest boho-hood (see that story this week?)...

And beyond that, local soon-to-bes Code Pie will be hitting up the biologique-lly sanitized confines of Toc Toc tonight, with Andrew Rose-approved Halifagonians The Museum Pieces, UBIsofters Heroes & Villains, and The Visit.

The New Metropolis! Orion! Chik-chika-chika-pow-chika-BAM!

Call me Poupee - Rumbamaniac (demo).mp3

Call Me Poupee are a Montreal-based three piece (they've just added a drummer), comprised of former members of Secrétaires Volantes and The Slips.

Minimalist, garage-y synth rumba, as if Alan Vega's solo albums had been worthwhile listening, and. Tambourine-shaking, yéyé electro: the logical follower to the short-lived shaffel releases of earlier this year? This is a demo, looking forward to a February release for their full-length, produced by, and this is a little left-field, DJ Ram, AKA Ramachandra Borcar.

SLUM-watchers and keeners on the Montreal electro scene's leading lights (Dandi Wind, Duchess Says, Echo Kitty et al.) would do well to keep their eye on Call Me Poupee in the next 6 months, as the seemingly untappable well keeps churning out that next-level shit, especially from the Franco side of this city...

Wednesday, November 30
Longueuil, QC @ Collège Édouard-Montpetit

L E S P R O T O T Y P E S

Moustached bandit and bonsoundee Pierre Gourde just sent an e-mail announcing the upcoming lo-fi electro-punx invasion, as French trio Les Prototypes (a Channels 3+4 sibling band?)and cross the Atlantic for a couple of quick dates in la belle province, including a December 1st live-set on CISM (89.3 on yr FM dial, 5 pm), promoting their new album Mutants Médiatiques...

December 3rd, at Zoobizarre (6388 St. Hubert)
$6 avec DJ Cherry Cola

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There are a couple of items on the social calender tonight - Resfest kicks off with a little talk and cocktail thing with visual Sven Gali Michel Gondry, down at Ex-Centris (y'know, in the LSL, for all of you Mile-Enders), followed by some short films and opening night party with Scott C on the decks (huzzah!)... As well, somebody, and maybe it'll be me, should go check out a new night in the Parc La Fontaine region, as Popscene gets off to a start - 951 Rachel E. (Is that the old Mhotel?)... As usual, Sons of Warsaw are up at Zoobizarre after the bands (Dirty Tricks tonight?), with special fucking guest, Suhrid, NYC's finest MBA student! I dunno, I've been holed up, bleeding from my eyes and reading and sleeping for too much lately, and the cold snap always introduces some sort of nasty stupidity in my veins, so I assume I'll be running between all 3 of these nights...