This Big Country song reminds me of Dag Nasty and 90's hardcore group Fuel for some reason. Modern English obliquely strategizing on their album before their break Melts With You break, borrows from Brian Eno's Third Uncle before driving the whole song off a gigantic Colin Newman/Wire cliff. (I had another new wave song I came across a couple of days ago that did the same thing, but a hard-drive crash has put that outta my hands, and I can't recall the group's name. Alas...) I love The Sound - they remind me of Radio Berlin and Echo & The Bunnymen. Before the chipper-cheeked and crispily-produced power-pop-punk stuff that would land them a spot on (uh) the Romeo & Juliet soundtrack and You & Me Song, the Swedish group found comfort and hooks in the 4AD catalogue, as this 1989 song reveals.
We're in the final stretch of the Montreal Jazz Fest, and while it was kind of interesting to press myself up against 100,000 other people for Patrick Watson's performance on Sunday night, truthfully, I've neglected my duties as a newly minted Quebecker (I declared my residency last Friday, after five years of living here), which, at this time, include wandering buzzed around the Quartier de Spectacle, fondling produce at a Farmer's Market or two, and playing pétanque in a city park.
Yes, I've been lazy, but now I'm summoning up all the civic pride I can to get involved, even if that means sitting in a dark theatre on a summer evening. (Thankfully, the weather's been mostly miserable...) The Just For Laughs Festival, widely known across the rest of Canada as the place where they film all of the filler stand-up comedy for Saturday night emergency programming on CTV, is here, and truthfully, I can take or leave stand-up comedy and comics. (And circus acts and the tam-tams and many other of Montreal's summer delights. Thank God they don't hold poetry slams outdoors.) But as it goes, there's something very compelling about this year's festival, and that's a screening of two episodes of a new television series on Canada's Showcase network (which re-broadcasts American cable shows, used to show a blue movie or two, and occasionally produces some Canadian shows) which stars two of the principals involved with last year's film, Who is K.K. Downey?, which premiered at Fantasia.
Kidnapper Films' Pat Kiely and Matt Silver make an appearance as the Tak Brothers, in an episode of a new five-part series called The Foundation, which is screening two episodes at the Just For Laughs festival. (Contrary to past years with this blog, I won't delve needlessly and deeply into the arcane details and connections, I'll just say that these are two very talented and very hard-working young men, and their lengthy CVs attest to that.)
From the trailer, it looks like it's just as funny, quick, offensive, and also features just as many questionable hairstyles and incidents of hard-drug use. Mike Wilmot (from It's All Gone, Pete Tong) stars as a morally bankrupt family patriarch, with Mike Dowse (Fubar, It's All Gone, Pete Tong) at the helm.
I'll have a brief Q&A to post with the duo in the next day or so, but in the meantime, to give you a bit of context, here are some audio pieces. The first is a mock college radio show hosted by Terrance and Theo Huxtable that takes place prior to the events in Who Is K.K. Downey, and features an animated and aggravating caller, as well as selections from the film's spectacular soundtrack (Miracle Fortress, CFCF, Duchess Says, and others.). Unfortunately, we weren't able to re-create the smooth reggae sounds that follow on The Natty Dred Show. Production was by Ali Rahman and Martin Horn of Digital Bird Studios, with a little help from yours truly.
Against Film Schools is a 2008 piece produced by Cristal Duhaime, who works on CBC Radio 1's Wiretap with Jonathan Goldstein, for the sadly short-lived and ambitious Savfaire magazine. The voice you'll hear is that of Matt Silver, expounding wisdom to the fresh and naive souls who wish to make it as film-makers.
1. Dan(ager) left behind a copy of the premiere issue of Guilt & Pleasure at the office. Many distinguished contributors grace the masthead, including broadcaster Jonathan Goldstein (host of CBC Radio's Wiretap and droll contributor to This American Life), cartoonist Ben Katchor, and writer Nathaniel Deutsch. The publication evolved from a salon in Toronto on modern Judaism and Jews to the journal on (vaguely) the post-assimilationist return to Judaism and Jewish culture, secular and religious. File next to Jewsrock, Jewlicious and Heeb Magazine. It's often easy to lose sight of the true meaning of the season, to get caught up in the holiday hubub and demands, that one is tempted to skip the double-bills and Chinese food altogether. Well, that may be fine for some, but as for me, I'll be seeing The Producers and King Kong this weekend.
2. Having some serious problems sleeping, a state I believe to be directly attributed to a potent strain of marijuana, and deciding that upon hearing CBC Radio 1 hostess Sheilagh Rogers' voice that it was necessary for me to leave the apartment today, I made my sleepy way off to the office, arriving to find a large stack of the first issue of Bang Bang, a French-language publication, its cover adorned by psych-wavers We Are Wolves. I've only thumbed through it, so I've got little else to say, though I must issue a dire warning to any publication that chooses to highlight a Lagwagon interview.
3. Journalist, actor, DJ, musician (remember Do They Know It's Hallowe'en?, We Are Molules, The Hot Pockets?!?!?!?!?) and my personal nemesis Adam Gollner has inked a book-deal with Scribners' & Sons to publish his book The Fruit Hunters. According to Publisher's Weekly, "the book will combine travel, horticulture and business in its look at a variety of people passionate about fruit, not only genetically modified supermarket fruit, but small, unique types one has to travel far afield to get, cultivated by often-fanatic naturalists eager to preserve endangered varieties and invent new ones." I'll begrudgingly congratulate him on that.
4. The Mile End's favourite Freudian, Andrew Rose has been busting his ass getting all of the year end Pop Montreal Podcasts together. So, do yourself a favour, and check 'em out at Pop Montreal or the mass is secretly obsessed with nipple dream. "Jung was a tool."
5.Patrick Watson has signed some sort of "record deal" - an antiquated arrangement of some sort that old timers might recall as being quite prevalent in the last century, details will be floating about soon, I assume.
