Showing posts with label Taken by Trees. Show all posts
Showing posts with label Taken by Trees. Show all posts

Tuesday, August 25, 2009

Soundalikes 2: From Union City to Stockholm

Ms. Kelly, applying sunscreen

Union City, Indiana's favourite sons The McCoys, notable for recording what I consider the best take on the Dorothy "Sloopy" Sloop story (Hang On, Sloopy) wrote Sorrow, which became a #4 hit for England's The Merseys, was covered by David Bowie on his Pin-Ups album, and, if my ears are correct, influenced Billy Bragg's A New England and Taken by Trees' Too Young TTA Way. (Yes, Goldkicks is as much for pedantic music lovers as it is for intellectual property lawyers.)

Phil Lynott sounds like he has a cold



Eminently tasteful music is always in great danger of becoming the soundtrack to your next car shopping experience, or given the staggering decline of the auto industry, your next brush with an iPod commercial on a transit shelter. Chairlift's Bruises* or the career of Feist, for example. Give me a softly strummed guitar, a beat you can clap along to, and a woman with a voice that shifts between tender and listless depending on the listener's mood, match that with an animated silhouette dancing on a picnic bench and we've got a campaign.

Victoria Bergsman had already proven her music licensing credentials, having sang on Peter, Bjorn & John's Young Folks, as well as with The Concretes, so felt that rather than establishing her own brand of fair trade coffee, she'd make some more music. With production duties handled by Dan Lissvik of Studio, we have the second album from her solo project, Taken By Trees' East of Eden, recorded in Pakistan and heavily referencing Sufi music, trance states and maybe even a John Steinbeck novel.

Yes, of course there's a National Geographic short film about her "journey." The album will be released by Rough Trade on September 7th.

Dan Lissvik has also recently paired up with Fredrik Lindson (of The Embassy) under the moniker The Crêpes to release a super-limited LP (& much more available mp3/CD release) called What Else? that's a soft and subtle homage to dusk, summer pop & (I'm assuming) the Traveling Wilburys.


Chairlift Bruises (Juan MacLean Remix)

Speaking of iPod commercials, here's the Juan MacLean remix, which only becomes recognizable at about 3 minutes in, and is far superior to the frightening 8-bit work-over that Passion Pit treats it to.