Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Monday, January 18, 2010

Something Wild




Jonathan Demme's 1986 film, Something Wild, starring Jeff Daniels, Melanie Griffith and an unhinged Ray Liotta, also features The Feelies covering David Bowie's Fame. The bassist seems to be particularly camera-shy, and the group is called The Willies in the film. Check out those white bucks that Daniels is soft-shoeing it on the dancefloor with! This film's arguably in the same genre as Martin Scorsese's After Hours - yuppie gets more twilight Gothamic adventures than he bargains for when he meets a wild girl. The soundtrack's pretty spectacular - New Order's Temptation, a bunch of Feelies songs, the Fine Young Cannibals covering the Buzzcocks, Laurie Anderson*, David Byrne**, and X, amongst many others.

A couple of years after this film, and after Swimming To Cambodia, doing a New Order music video, and, for the sake of argument, Married to the Mob, Mr. Demme would eventually give himself fully over to the pursuit of cinematic boredom, with such armchair snoozers as Philadelphia, an adaptation of Toni Morrison's Beloved, and other treacle borne out of the unholy union of white liberal guilt and the Oscar pursuit.

Despite the fact that, like a later group also from New Jersey Yo La Tengo, the Feelies are about as nerdy a group that have ever formed a rock group (excepting the unbearable They Might Be Giants and The Decembrists), I've always loved 'em since I picked up The Good Earth in Victoria so many years ago.

* Last year I had a strange afternoon where I thought that Big Science was about the most amazing thing I'd ever heard. The feeling quickly passed and has yet to return.
** Actually, the David Byrne song on the soundtrack is pretty much unbearable, as if David Byrne was mostly moved by a recent Miami Sound Machine performance.

Monday, December 28, 2009

Studio Alchemy



Andy Kim, the pride of Montreal's Little Lebanon*, co-wrote the Archies' Sugar Sugar, cementing his legacy in the annals of pop music. Not content to bask in the glory of a pitch-perfect pop music concoction, he shot to number one on the charts with 1974's Rock Me Gently, a Neil Diamond-ish pop ditty that I've got a soft spot for.

Tommy Sparks, a Swedish song-writer, is familiar to anybody with a TV, as being responsible for the song She's Got Me Dancing, currently featured in an Apple iPhone television spot. The song's actually a two-headed monster - one, the guitar line cribbed from The Ohio Player's Love Rollercoaster, and the other the bastardized over-produced post-punk shimmy and shake of Franz Ferdinand. But, like Chairlift, don't hold that against him.

Let's leave Tommy's paycheque alone, and discuss a better song - Miracle. Being Swedish, Tommy Sparks is well-versed in studio alchemy - the myriad of tricks and techniques from which pure pop gold is made. In this case, it's the strummed acoustic guitar over-top a traditional rock band set-up. (Could this explain a weakness for OMC's How Bizarre?) The Embassy, also Swedish, are perfect masters of this trick, but I also think it was employed quite handily (and best) by Tony Visconti in his production work in the 70's with David Bowie and T. Rex.

* There's no Little Lebanon.

Tuesday, August 25, 2009

Soundalikes 2: From Union City to Stockholm

Ms. Kelly, applying sunscreen

Union City, Indiana's favourite sons The McCoys, notable for recording what I consider the best take on the Dorothy "Sloopy" Sloop story (Hang On, Sloopy) wrote Sorrow, which became a #4 hit for England's The Merseys, was covered by David Bowie on his Pin-Ups album, and, if my ears are correct, influenced Billy Bragg's A New England and Taken by Trees' Too Young TTA Way. (Yes, Goldkicks is as much for pedantic music lovers as it is for intellectual property lawyers.)