Showing posts with label Kano. Show all posts
Showing posts with label Kano. Show all posts

Wednesday, February 24, 2010

The hips locked, o'ho, and I made jam!



Italian Pino D'Angio's Ma Quale Idea occasionally gets credit as the first instance of Italo Disco Rap, and while that's an arguable point (Kano's I'm Ready also came out in 1980), the song, built atop McFadden & Whitehead's Ain't No Stoppin' Us Now, is just frankly awesome. It's a baritone-voiced roller that fills dancefloors with people and minds' eyes with visions of sparkling lights, dart collars and louche ladies wearing Thierry Muegler gowns. And an old guy rapping about... a disco lady with snake eyes? Okay, so it's stretching it to call Italo Disco Rap a genre, with all of the conventions and trappings that ensure a section in a record store or a folder in someone's MP3 collection, but as Carmen's Throw Down and MC Miker G & DJ Sven's Holiday Rap would follow later, and I love all of these songs, it's enough of a genre for me.

It's hard to pinpoint the moment where Italo Disco turns over and becomes fully absorbed by Hi-NRG. Probably when it became all octave-bass lines, 130BPM, and that Mike guy put on the oversized sunglasses. Creative Connection prove that the cross-over wasn't entirely terrible, with their 1985 cover of the Dieter Boehlen penned and produced Modern Talking song You're My Heart, You're My Soul.


For your edification and entertainment, here are the translated lyrics to Ma Quale Ideal...

I caught her in the disco with a snake look
I went close to her
She was already out of her mind
I looked at her
She looked back at me then I let myself go

In comparison Fred Astaire was static and clumsy
I shot a kiss in her mouth
A kiss with a bang

On the footloose dancing floor then I shook her up

sending her to the air
catching her back
leaving her breathless
She fell into my arms
She was madly in love

I held her fast by her hips
I turned her into jam
Oh yea Oh yea..Is that how you say it ?
And then...and then

What an idea ! But what idea ? Can't you see she is not easy ?
What an idea ! But what idea ? She's malicious but knows
How to take care of a big bully like you
And besides what makes you so special that another one hasn't got ?
What an idea ! But what idea ? Can't you see she is not easy ?
What an idea ! But what idea ? Beware, she is smart
She will lead you in circles but you will never get

The things you want and tell me, what are you going to give her ?

I had a great thought, I brought her in my den

I poured an orange juice and she burts into a laughter
She clung to my whiskey
She gulped down five litres

She seemed to be out of her wits
She kissed me
I kissed her
All of a sudden I held her tight but she slipped away

She looked at me
I looked at her
I stopped her
I caressed her fairy face
But she looked like a potato
I caught her, shook her up and down
Turned her into an omelette
Oh yea is this how you say it ?
And then

What an idea ! But what idea ? Can't you see

Thursday, September 24, 2009

New Chromeo song "Night by Night"



The last we caught up with Montreal's premier R&B electro-funk duo, they were jamming with Darryl Hall of Hall & Oates in his restored colonial-era farmhouse. Now they've got a new song which skews more Moroderian Hi-NRG with its galloping bass-lines and guitar and keyboard solos that wouldn't be outta place on the Miami Vice score. Sweet. To cool down a bit and get into a moody Michael Mann mood, I suggest you follow it up with Crockett's Theme from the Miami Vice soundtrack, and maybe take a long walk on a white beach with appropriate pastels and linen pants.

Tuesday, September 22, 2009

Joseph Smith Hustled, Brigham Young Was a Baller

Sports jackets, dookie chains, ball caps, and acid-washed jeans
2 Live Crew in the basics.


Wrongly maligned by history for their poor name choice and remembered (if at all) for Tap The Bottle, the Young Black Teenagers deserve another look, especially considering production duties were handled by Hank Shocklee of the Bomb Squad. Good enough for Public Enemy, good enough for me. Time To Make The Dough Nutz, which samples Rush's Tom Sawyer is not the place to start, but listen to First True Love Affair above, which samples, you guessed, Jimmy Ross' First True Love Affair, which was produced by the friendliest face of Italo-Disco, Kano. Kano's back-catalogue has been cherry-picked for samples, (and recently nickied by Spank Rock for their Fabriclive mix), from way back in my grade 8 days by Tag Team (Miami Bass from Atlanta?) for Whoomp! (There It Is). I always found it a bit strange that, because of the Jock Jams compilation or whatever else, there was a substantial and ready-made fan-base for Miami Bass amongst the Mormon basketball players in my high school.

One song not so easily adopted by the Mormon ball-palmers in Miami's greatest contribution to music would have to be Pop That Pussy, by genre-definers 2 Live Crew, which features a spectacular re-working of the Billy Stewart's Summertime. DJs, follow that up with Eazy E's Gimme That Nut for maximal libidinal labial dance-floor expression. By the way, does anyone know where the hell that songs from? I found it on a CD five years ago and have no idea where it came from.

Thursday, August 13, 2009

Kano's "Don't Try To Stop Me" & Ring My Bell: Pop Montreal Italo Disco Bike-In



A sleeper Italo Disco Funk hit from Kano from their 1981 album New York Cake. It's a super fun boogie vocoder-laced workout, similar to their dance-floor slayer I'm Ready.

I'll be DJing (as Jay Watts III, natch) the 3rd Annual Pop Montreal Bike-In this weekend, along with the ever-talented Why Alex, Why?, David Shaw (Loose Joints), and Bethany Benzur (New York City) at Terrace McAuslan. In previous years, the themes have been R. Kelly & Bollywood, (I'm hoping next year it'll be a Hip-House Bike-In) while this year we'll be celebrating the artistic heights that the greats of Italo Disco managed to scale. If the names Kano, Jimmy Ross, Scotch, Carmen, & Pineapples mean anything to you, or you consider the ouevre of Ken Laszlo to be beyond compare, then I'm sure you'll appreciate the night.

There's also a screening of Michaelangelo Antonioni's dubious masterwork Blow Up happening at dusk. All free, just pay for your drinks & food!